Janinge Cycle times
If we envisage a chair in a restaurant environment, that chair will see action from ten sets of bums. Ten bums on one seat. And that bum will raise from that seat, what, five times. Up and down. So, 50 cycles a day. Probably 300 times during a year, that chair will see new rumps. So we can calculate around 120,000 cycles over a ten-year period. And if a chair or product passes that cycle, then we have to turn our thoughts to other non-linear tests. Like effects of the materials used. Gass off, abuse, fire retardancy. But, really, can you really ever imagine through these simple theories the real abuse a chair is going to bear witness to over its lifespan?
Typically, a new product is going to have to pass a set series of standardised tests on the design itself. Then on the safety; what happens if someone sits on the backrest. Can someone trap a finger between the armrest and a table? Will the legs snap if you lean back? In the nordics we have to take into account climatical elements, and the affect extremes in temperature have on structural integrity; during transport for example in the winter. Or societal influencing factors—a mother rises to greet a friend and her child, eager for attention, tries to wriggle free through the hole in the back of a chair.
There needs to be a balance of testing during a product’s iteration; the repetitive stressing of a product and real life scenarios. “If a chair’s not comfortable to sit on; it’s not been tested enough,” Jonas Pettersson, Form Us With Love. In the case of Janinge, testing took one year to reach a fully resolved design.
In Fall 2016, Form Us With Love in collaboration with TID watches has brought an anticipated newcomer into the TID watch range, TID No1 Gold. This matt gold coloured watch, keeps the simplistic industrial look, but adds a pleasant component to the family, a somewhat affectionate take on No.1 steel. Crafted in the same elegant manner, No1 […]Read more
+Halle – Fair Stand
Today, members of the contract design industry often source upholstery fabrics for sofas and chairs through the sometimes process of picking colours from a screen. It’s a risk and makes most decision makers stick with the usual choice. This is precisely why Form Us With Love in collaboration with the upholstery craftsmen at +Halle, set […]Read more
TID – TWAIN WRISTBANDS
To match the warmth of No.1 Gold watch, FUWL and TID, have specially brought together a unique set of fabrics to create a rugged collection of wristbands—introducing, Dawn, Lake, Mill, Mud and Rust. The wristband made with a backing of repurposed Swedish vegetable tanned leather, from the organic tannery Tärnsjö Garveri, and a front made with carefully curated […]Read more
SB Seating at Orgatec
In 2013, Form Us With Love co-designed the first Noor chair for Scandinavian Business Seating, the first crush in what was going to become a long term relationship with the versatile manufacturer. This year, SB Seating approached Form Us With Love to collaborate with Project Leader Pernille Stoltz and architect Kari Nost Bergem, on a display […]Read more
IKEA – Odger
After a domestic chair for public use and a tech dining chair we dived headfirst into the realm of wood-polypropylene, initially started by product developer Åsa Hederberg back in 2014. Odger is an exciting, two-part chair—now at its very final but most important, qualifying stage.Read more
Punāh is an initiative by one of India’s major manufacturing conglomerates,
Godrej and Boyce, focusing on re-thinking the use of industrial waste materials. This year, Form Us With Love was invited to Mumbai as curators, designing the first ever Punāh exhibition, shown at the London Design Festival Sept 2016.
Gottsunda is a civic concept created for a municipality of Uppsala, just to the north of Stockholm; and was part of Santa & Cole’s range.
At a glance the piece seems harsh and unfriendlRe: FUWL books 160113, mail 1 of 2.y, yet there’s a visual warmth and realism to using moulded concrete. It’s a material we’ve all seen so it gives off a familiarity and durability of course, which a piece for public areas requires.
The advantage of curating a sequence of exhibitions is that you can learn from one exhibition and apply it to the next. Last year, Form Us With Love utilised their Greenhouse design at Stockholm Furniture & Light fair as a platform for dialogue. This resulted in an unpleasant discovery, unveiling that the perceived gap between […]Read more
Building a box should be easy. Four sides, a top perhaps. Corners. However, as a studio, we do tend to sweat the small stuff. As a result, it took many CAD drawings to find the quality we were looking for when designing Greenhouse 2016 and its simple box-like stands for the exhibitors.Read more